Festivini - Festival de la culture du vin
Year
2026
Roles
Illustrateur
Festivini - Festival de la culture du vin
L'homme sans masque
Agence Bergamote Paris
Région Sud
Salon de la gastronomie
Alter Échos
Revue Nez
Par les rivères
The Guardian
Alter Échos
Noël dans ma ville
Le Monde
Le Cherche Midi
Les éditions du typhons
Bastille Magazine
Nouvel an chinois
The New York Times
L'échappée Belle
Les Échos
Noema Magazine
Muséum National d'Histoire Naturelle
Télérama
Libération
Projets personnels
Bumblebees
Juste une impression
Confidential project
Fotokino
Actes Sud-Papiers
Illustrateur
In Maxime's work, the image burrows into the paper itself, as though a printmaker had traded acid for graphite. Trained at the Beaux-Arts of Cambrai and Rennes, the French artist-illustrator has spent over a decade refining a technique he pioneered: paper engraving drawn entirely with graphite, yielding a vocabulary of velvety blacks and spectral greys. His quiet yet resonant marks now live in the pages of Libération, Le Monde, and Le Temps, and converse with contemporary authors, from Joël Jouanneau at Actes Sud-Papiers to the catalogues of Vanloo, Le Typhon, and Vies Parallèles. Winner of Fotokino’s 2019 award for his youth-workshop project “Dessine-grave,” Maxime extends the same alchemy of line and imprint to young audiences, revealing the tactile poetry of inkless print. Because for Maxime, an image is never just laid onto a page, it is embedded, like memory itself, leaving a trace that lingers long after the paper is turned.
Publications and awards
Étapes, Revue Dazibao
collaborate with Maxime
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