L'homme sans masque (2026)
Roman de Kristina Ifwarson.
Illustration pour une carte et un marque-page en tirage limité.
(Commande privée de l’auteure)
Roman de Kristina Ifwarson.
Illustration pour une carte et un marque-page en tirage limité.
(Commande privée de l’auteure)
Year
2026
Roles
Illustrateur
Festivini - Festival de la culture du vin
L'homme sans masque
Agence Bergamote Paris
Région Sud
The Guardian
Revue Nez
L'échappée Belle
Les Échos
Les éditions du typhons
Nouvel an chinois
Alter Échos
Alter Échos
Le Monde
Noël dans ma ville
Muséum National d'Histoire Naturelle
Le Cherche Midi
Bumblebees
The New York Times
Noema Magazine
Libération
Salon de la gastronomie
Télérama
Projets personnels
Fotokino
Bastille Magazine
Actes Sud-Papiers
Juste une impression
Confidential project
Illustrateur
In Maxime's work, the image burrows into the paper itself, as though a printmaker had traded acid for graphite. Trained at the Beaux-Arts of Cambrai and Rennes, the French artist-illustrator has spent over a decade refining a technique he pioneered: paper engraving drawn entirely with graphite, yielding a vocabulary of velvety blacks and spectral greys. His quiet yet resonant marks now live in the pages of Libération, Le Monde, and Le Temps, and converse with contemporary authors, from Joël Jouanneau at Actes Sud-Papiers to the catalogues of Vanloo, Le Typhon, and Vies Parallèles. Winner of Fotokino’s 2019 award for his youth-workshop project “Dessine-grave,” Maxime extends the same alchemy of line and imprint to young audiences, revealing the tactile poetry of inkless print. Because for Maxime, an image is never just laid onto a page, it is embedded, like memory itself, leaving a trace that lingers long after the paper is turned.
Publications and awards
Étapes, Revue Dazibao
collaborate with Maxime
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